Introducing Sunset Summit, my entry into this month's Greatcakes Soapworks Soap Challenge – an ombré challenge – where we had the opportunity to use any soap design or technique that we wanted while exploring an ombré colour palette.
I have been enjoying making my landscapes lately, so I decided to design a new mountain soap while kicking it up a notch with an embed (the sun), more layers (9 total – not including the embed) and two ombré sections: blues for the mountains and oranges/yellows for the sky.
In order to achieve a nice landscape scene there needs to be some contrast. To help with this I made one layer in each of the ombré sections a few shades darker, while the remaining 3 layers were closer in tint.
4 DAYS OF SOAPING
Day #1 I poured sun embeds. For this step I used 2 shades of yellow which were poured in a random, and alternating fashion into a round tube mold. This was then set aside for 2 days to to firm up.
Day #2 I moved onto the first of the mountain ridges; this layer would be darkest in colour. To start, I created a batch of "blue mix" colourant, enough to use for all the mountain ridges. The mix was made up of 2 parts caribbean blue mica and 1 part ultramarine blue dispersed in olive oil. For the first mountain ridge, I added 1 tsp of the blue colour mix plus a little activated charcoal to darken it up a few shades. Before pouring the layer, I adjusted the angle of my mold by using a piece of wood under one side to prop it up. Once the first layer was poured, rows of trees were sculpted onto the soap surface with a spatula. The mold was then covered and the left undisturbed overnight to set.
Day #3 was for the second and third sets of mountain ridges. For these I used the same blue colourant mix. For the second layer I added the 1 tsp of colour mix only. For the third layer I added 0.75 tsps of the blue colour mix and a few drops of water dispersed titanium dioxide (TD). Once the third mountain layer was poured I sculpted the ridges using a spatula and covered the mold to leave it to sit overnight.
Day #4 is when I unmolded the sun. I did this in the morning before leaving for work, giving it about 9 hours to firm up until I returned to soaping again that evening. The first step was to slice it down the middle length-wise to create two semi-circle shaped columns. Because I was adding the sun to the top of the highest mountain ridge, I wanted parts of the mountain to be jutting into the sun's shape. To achieve this I cut triangle sections out of the columns using a knife before sculpting and shaping them using a wooden skewer.
Next I moved onto the remaining mountain ridge which would be the lightest in colour. To achieve the light blue I used 0.25 tsp of the blue mix with 0.25 tsp of TD. Once the colour was mixed the first step was to add a thin layer of the light blue batter onto the sculpted side of the sun columns. I made sure to fill all the recessed sections with batter. This would also help to reduce the likelihood that any air bubbles would be caught beneath the embeds when they were set in placed.
After tilting the mold and propping it up with my trusty piece of wood, I poured in most of the light blue batter. With a little sculpting, this would become the highest mountain ridge. But first I needed to place the sun embeds. They were carefully positioned onto the mountain ridge and set in place before the remaining light blue batter was spooned in along the highest side of the sun. I used the spoon as my sculpting apparatus for the highest mountain ridges.
I then moved onto creating the 4 layers of sky using the "pour as you go" method. For these layers I started by separating the batch into 2 colours: one was coloured orange using 1.75 tsp of olive oil dispersed tangerine wow! and 0.25 tsp of oil dispersed fizzy lemonade, the other was coloured white using TD. I poured the first layer of orange until it reached what I believed to be the half point of the sun. The remaining layers were lightened by adding some white soap batter and 0.25 tsp of oil dispersed fizzy lemonade. Once the final layer of sky was poured, I left with about 200 g of white batter, most of which I poured onto the top as a new layer. What was left was then coloured gradually from yellow through to orange with each colour being dolloped along the top in a random yet evenly distributed pattern. The final steps were to swirl the top using a skewer and add dusting of glitter as the finishing touch.
Many thanks for another fun and educational soap challenge, Amy! I certainly learned a few things on this one :) and loved every minute of it! All the best to the other Soap Challenge Club members too! Thanks for sharing your experiences. I'm looking forward to checking out your posts and pictures.
For the April edition of the Great Cakes Soap Challenge, our host Amy put together something a little different for us to work on. Our task for this month was to create a “rustic” soap with a packaging design to match.
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No matter how busy the weeks become, I always find time to enjoy soap making. There is something about being creative and working with my hands that helps me to relax and unwind. Since July I have been participating in the Great Cakes Soap Challenge Club and this month was all about creating a soap that emulated a woodgrain pattern. Although I knew this month would be a busy time for me, I was determined to have a try at creating a soap for this month's challenge.
Succulent Rose: with piped soap embellishments & butterfly swirl for the Greatcakes Soapworks Challenge
As a passionate newcomer to the art of soap making I delight in every opportunity to learn and practice. A few months ago I signed up for the Soap Challenge Club where members receive a monthly tutorial curated by soap artist, Amy Warden. This month's challenge is to create a soap using piping; a technique used in cake decorating to shape buttercream icing into swirls, rosettes and other floral embellishments. I was excited to give it a try.